What a gorgeous autumn day it is in Freo paradise this Monday!
Sunset Events is holding a public information session today at 5.30 about their new plans for the number one unit at J Shed at Fremantle’s historic Bathers Beach.
Sunset Events’ previous plans for an 850 patron tavern and 1,500 people outdoor music venue on the A-Class reserve were rejected by Fremantle Council, the W.A. Development Assessment panel and the State Administrative Tribunal, so it will be a tough task to get a smaller tavern approved as that use was deemed inappropriate for the reserve by the two state agencies.
The meeting is at the Drill Hall-former Fly by Night club- at Parry Street at 5.30 pm today, Monday March 27.
With so much development going on and planned for Fremantle I wonder if the City has diligently and professionally been recording streetscapes in the CBD so that there are historic photographic records of what the inner city looked like before the rejuvenating facelift it is receiving at the moment.
Adelaide, Queen Victoria, Cantonment, Beach streets and others in the area will have a totally new look in a few years from now and so will Kings Square and the Fremantle Oval precinct, so it is essential that good photos are taken, so that future generations will be able to compare old and new Freo.
It is a very important duty of government to record history so don’t neglect to do it City of Fremantle!
An interesting tiny hole in the wall cafe has opened in Pakenham Street just down the road from Bread in Common.
The Ghetto Blaster is open seven days a week and is challenging the BLINK cafe in High Street for being the smallest cafe in Fremantle.
The owner told me he will be applying to build a parklet outside the cafe and that would be the third one in that street if the City permits it.
Try it out!
Winter is approaching and that means the Sunday concerts at the Fremantle Arts Centre will stop soon, but today it is still on with MATHAS and his intricate lyrics and beats.
He will be joined by the new percussion-electro duo FEELS, so it should be a delightful afternoon in the lovely courtyard.
The cafe, pizza bar and drinks bar are open and so are the galleries.
BRILLIANT is a very good exhibition by Fremantle artists about the theme HOME.
Home is so important to all of us and can be anywhere as long as we have a sense of belonging and connect with the community.
I believe Fremantle is very good at making one feel at home. It embraces you with charm and warm friendliness and people who care.
The show is on at the Moores Contemporary Gallery in Henry Street that also houses the great Moore&Moore cafe and a children’s playground in the courtyard, so go spend some time there this weekend.
Participating artists are Claire Bailey, Theo Koning, Jo Darvell, Clyde McGill, Sharyn Egan, Alessandra Rossi, Megan Anderson, David Carson, Andrew Christie, Olga Cironis, Ben Crapsley, Jenn Garland, Fiona Gavino, Anisa Hirte, Darren Hutchens, Marcia Hadlow, Junko Kitamura, Steve Makse, Susie Marwick, Respoke, Jane Ryan, Nick Vervest, Annabelle Williamns, Mark Welsh, Rosina Wonglorz.
Architect Carl Payne sent a comment to this blog about the article in the Fremantle Herald about yet another terrible development proposal for Fremantle’s West End. See the post below this one for it!
I believe Carls thoughts are very important so I am posting them here as well for those people who do not read the comments:
We really need to start thinking about what the West End of Fremantle is, in an Australian context.
It is a remarkably complete 19th Century urbanscape, which retains the essence of what this means. It’s a living museum; and this is important, because it is a functioning and workable collection of buildings that is rare in 21st century Australia.
Many overseas towns and cities can boast similar precincts; but few in Australia can. This is the first important point.
The second thing is that this is crucial because it has both economic and cultural advantages. The economic growth that Perth saw in the 60s; 70s; and 80s would have destroyed Fremantle’s West End if it had occurred here as it did in the State’s capital. We now have a chance to positively build on the magnificent streetscape we have inherited and – mostly – conserved. This can create significant economic advantages, because there is no doubt that Fremantle is now poised to grow its already significant Tourism marketplace.
But this is only part of the importance of the West End. It is also a cultural reminder for all of us who live here. It is a symbol of our past achievements. Cultures that demolish their past, weaken their future; they lose contact with their heritage, in both a physical and an emotional way. And adding a couple of floors to an old West End building destroys its integrity; it alters the streetscape; and it alters the skyline.
Look over Fremantle from the monument; or from the Town Hall; or from the Roundhouse. The roof-tops; and the old wall-parapet tops, are part of the heritage streetscape. They are what conservation is all about. We are talking about very fragile things here; connections; relationships; urban-scapes that are very easily lost.